The Cork Mother Jones Committee is proud to announce that the 2022 Spirit of Mother Jones Award will be presented to Don O’Leary, director of the Cork Life Centre. This is the tenth annual award which the committee has made and Mr O’Leary is the first Cork man to receive it. The award will be presented later this week to Mr O’Leary at the Spirit of Mother Jones Festival on Saturday 30th July at 1pm at the Maldron Hotel, Shandon.
Jim Nolan on behalf of the Cork Mother Jones Committee stated;
“We are really pleased to announce that the Spirit of Mother Jones Award for 2022 has been awarded to Don O’Leary, director of the Cork Life Centre for his work and commitment to providing an alternative learning environment to many young people who are outside the mainstream education system.
Specifically Don has shown by his example and dedication to the young people how they can make progress within a different system which places them at the very core attempts to meet their unique needs and requirements.”
The Committee’s citation for Don O’Leary and the Cork Life Centre includes the following;
‘For his courage and determination to ensure that children and young people are not left behind by the Irish education system.
For his Trojan efforts and that of the volunteers and staff at the Cork Life Centre to create a positive and practical community of learning which is welcoming, supportive and encouraging of young people.
For his advocacy of human rights and social justice especially in relation to children’s rights and their opportunities to progress to the best of their creative abilities and individual talents which contribute so much to a better community and world.
For his refusal to accept that one size fits all in the Irish education system and for his refusal to compromise in relation to this fundamental student centred approach focused on authentic inquiry and experiential learning and measures success in a radically different way to the standard competitive exam system.’
On behalf of the Cork Mother Jones, we congratulate Don O’Leary and the Cork Life Centre.
A documentary from Frameworks Films and the Shandon Area History Group.
7.30 pm Friday 29th July at Dance Cork Firkin Crane.
‘Ordinary Women in Extraordinary Times’ tells the story of five women – Nora and Sheila Wallace and Mary, Annie and Muriel MacSwiney. These women played a vital role in the formation of the Irish state and yet their stories are not widely known. This documentary provides an account of the lives of these five women and in particular the part they played in the Irish revolutionary period, whilst still carrying on their roles as shopkeepers, teachers, wives and mothers. It attempts to answer in some small way the question that was often asked in the early years of the Irish Free State, ‘What did the women do anyway?’.
Endurance & Engagement: Cork City Women in the 1920’s
7.15 pm Thursday 28th July at Dance Cork Firkin Theatre.
The short documentary, commissioned by Cork City Council, as part of the Decade of Commemorations and funded by the Department of Tourism, Culture, Arts Gaeltacht, Sport & Media looks at the lives of ordinary women in Cork City during the turbulent period of the struggle for independence and how they were impacted by the violence and unrest. The women included in the documentary are Eilish MacCurtain, The Duggan Sisters, Geraldine Neeson and Dr. Mary Hearn. The research team on the project were Anne Twomey of Shandon History Group, Dr Helene O’Keeffe of UCC School of History, and Gerry White. The documentary directors Ciara Buckley & David Slowo of Wombat Media. The Executive Producer of this documentary was Christine Moloney of LW Management who will introduce it on the night. Release Date 2022. Runtime 32 minutes.
Mother Jones and her Children.
2:00 pm Thursday 28th July at the Maldron Hotel Shandon.
This film tells the story of Mary Harris (1837 – 1930) from Cork who went on to become known “the most dangerous woman in America”. Starting with her early years in Cork, the documentary goes on to detail her life in America following the famine, her marriage to George Jones and the birth of her four children. It details the tragedies which befell her. Her growing involvement in the labour movement in America, defending the rights of children and workers is documented. Through interviews with leading experts on Mother Jones, we learn of her fearless and tireless campaign to organise workers at a time of severe labour strife and her international legacy today. Produced by Frameworks Films and the Cork Mother Jones Committee in 2014. Runtime is 52 minutes.
Mother Jones, America’s Most Dangerous Woman
3:00 pm. Thursday 28th July at the Maldron Hotel, Shandon.
Mother Jones: America’s Most Dangerous Woman is a documentary about the amazing labor heroine, Mary Harris Jones, known as Mother Jones. Mother Jones’ organising career influenced the history of early 20th century United States. She overcame class and gender limitations to shape an identity that allowed her to become an effective labor organiser in the early 20th century. Mother Jones transformed personal and political grief and rage about class injustices into an effective persona that led workers into battles that changed the course of history. The terrible conditions and labor oppression of the time motivated her to traverse the country, in order to organise against injustices. This film also gives a deeply moving account of the Ludlow Massacre. This is a film by Rosemary Feurer and Laura Vazquez. Release Date 2007 (Canada). Its runtime is 24 minutes.
On Friday July 29th at about 11:00 am we will gather at the magnificent North Cathedral of St Mary and St Anne and known affectionately throughout Cork with some understatement as the ‘North Chapel’. It was originally dedicated in 1808 on the site of an earlier church.
Anne Twomey will give a brief history of the Cathedral with particular reference to its connections with the baptism of Mary Harris on the morning of 1st August 1837.
Professor Maggie O’Neill in collaboration with Traveller Pride will launch the Feminism Walking Tour website followed by a walk.
Gather outside the Maldron Hotel Shandon at 3.45 pm on Saturday 30th July. All welcome.
The thematic focus of this walk is on celebrating the contribution of women to art, culture, society and the city; exploring the role of women in addressing sexual and social inequalities, and building fairer, safer communities. The walk, which is the first in a series of walks, writes women into the spaces and topography of the city. The walk was created in discussion with students from University College Cork, Naomi Masheti, Cork Migrant Centre; Danielle O’Donovan, Nano Nagle Place; Mary Crilly, Sexual Violence Centre Cork; Eileen O’Shea, Traveller Visibility Group; John Barimo, Mother Jones Plaque and James Cronin, Honan Chapel.
The walk and website will be launched at the Mother Jones Festival 30th July 2022!
The documentary ‘Ordinary Women in Extraordinary Times’ will be shown at the Cork Dance Firkin Crane in Shandon on Friday evening 29th July at 7.30 pm.
A new documentary about some of the women who played an important role in the revolutionary period in Cork will be screened at the Dance Cork Firkin Crane Theatre in Shandon, Cork on Friday 29th July at 7.30pm, as part of the Spirit of Mother Jones Festival 2022.
According to Lil Conlon, one of the members of the Shandon Cumann na mBan in Cork, a question that was often asked in the early years of the Irish Free State was“ What did the women do anyway”? This documentary tells the story of what two sets of sisters did during the War of Independence and attempts to answer that question in part.
‘Ordinary Women in Extraordinary Times’ tells the story of five women – Nora and Sheila Wallace and Mary, Annie and Muriel MacSwiney. These women played a vital role in the formation of the Irish state and yet the detail of what they did and how they managed to do these tasks whilst still playing their other roles as wives, mothers, teachers and shopkeepers has received little attention.
The documentary first tells the story of how the Wallace sisters ran a newsagents shop on Augustine Street in Cork city centre, which effectively became the unofficial headquarters of the No 1 Brigade of the Cork Volunteers after their own headquarters on Sheares St was closed after the Rising. Florrie O’Donoghue from the brigade is quoted as saying “If any two women deserved immortality for their work…they did!” Their story is told by members of the Shandon Area History Group and also by Bill Murphy, grand-nephew of the sisters and by Bernadette Wallace, their niece.
The second family to feature in the documentary are the MacSwiney family. Mary and Annie MacSwiney were the sisters of Terence MacSwiney, former Lord Mayor of Cork, whose death by hunger strike whilst imprisoned in Brixton Prison made international headlines and Muriel MacSwiney, their sister-in-law, was his wife. This section will be told via interviews with Anne Twomey and Maeve Higgins, members of the Shandon Area History Group and also with Cathal MacSwiney Brugha, the grandson of Muriel MacSwiney and grand-nephew of Mary and Annie MacSwiney.
The documentary has been produced by Frameworks Films in collaboration with the Shandon Area History Group and was funded by the Broadcasting Authority of Ireland. It will also be broadcast at 8pm on Sunday 31st July on Cork Community Television, which is available on Channel 803 on Virgin Media’s digital cable package and online on www.corkcommunitytv.ie.
Historian Anne Twomey will address the treatment of some women during the Revolutionary years on Thursday evening, the 28th of July, at 8.00 pm at the Cork Dance Firkin Crane on the opening day of the 2022 Spirit of Mother Jones Festival. This forms part of our coverage of the Decade of Centenaries at festivals over the past few years.
General background to the treatment of some women during 1916-1923 and afterwards by all sides in the conflict.
The fiftieth-anniversary celebrations of the 1916 to 1923 period almost ignored the role of the Citizen Army (ICA), rarely referred to the Civil War’s events and largely sidelined women’s contribution to the struggle. Observers at the time may have wondered why the 1916 Proclamation addressed to the people of Ireland’ IRISHMEN and IRISHWOMEN’ seemed to apply only to the Irish men.
Fifty years later, in the current ‘Decade of Centenaries’, the essential contribution of women to the struggle for independence has been added to the narrative of the period. Of further significance is the emergence from the silence and shadows of the war years of increasing evidence of the cruel and inhumane treatment of some women by all sides during the revolutionary years and in the new Irish Free State both during and long after the end of the Irish Civil War of 1922/23.
It can be argued that evidence of the participation of women was always to be found if one knew where to look and asked the right questions. However, as Sinead McCoole in “No Ordinary Women” discovered, many quiet, unassuming Aunt Bridies (Bridie Halpin) around the country existed. Their long-lost collections of personal materials in attics were found and revealed their vital and valuable contributions to the fight for Independence.
Additionally, the important work of Margaret Ward, Louise Ryan and Linda Connolly and many other academics and writers have highlighted and challenged the unacknowledged gender-based violence against women which occurred across the wars.
For every high-profile Countess Markieviez, Kathleen Clarke or Mary MacSwiney, there were also hundreds of nameless women involved. Some sacrificed their health and took huge personal risks to ensure the day-to-day functioning and operational integrity of the secret revolutionary infrastructure of the Irish Republican Army was protected, while challenging the British forces and demanding a real democratic republic. Kathleen Clarke, widow of Tom Clarke, one of the 1916 Proclamation seven signatures, while in Holloway Jail in London in 1918, detailed her inhumane treatment in the autobiography “Revolutionary Woman”.
Mrs. Clarke was born into the Daly family in Limerick city. Her brother Ned was executed after 1916, two sisters, Nora and Laura, were in the GPO, and the family was regularly harassed by the British Army.
During a raid in October 1920, her two sisters, Una and Carrie, were physically attacked by the British raiding party. Una was dragged into the street where her hair was cropped, and her hand was slashed with a razor. The terror, shock and subsequent trauma of brutal hair cropping inflicted on many women by the male protagonists on all sides left an insidious lifetime mark on women treated in such a degrading and dehumanising manner.
Yet later, during the Civil War, following another disruptive Free State army raid on her home in 1922, Kathleen sadly comments.
“Running through my mind was all I has suffered at the hands of the British, and now my own people were causing me more suffering, and it hurt more because they were my own”
Publications such as “Ordinary Women in Extraordinary Times” detailed the arrest and imprisonment by British forces of seventeen-year-old Mary Bowles from Clogheen on the northside of Cork City in January 1921. Various reports suggest she was very badly treated. Regular raids took place by British forces, and their harsh treatment meted out to women in isolated farmhouses and homes all across the country, which were left wrecked or burned by the Black and Tans, went largely unreported at the time.
Kathleen Keyes McDonnell described a military raid on her family mill and home at Castlelack near Bandon.
“One morning towards the end of January 1920, police and military forced an entry by the back door before 7 a.m. One soldier put a bayonet to my forehead ordering me to get out of bed; another seized my arm and shook me roughly”
Tom Barry’s memory of the Crowley family in Kilbrittain, especially of Mrs. Crowley “sitting on a stool in the yard, gazing thoughtfully at the ruins of her blown up and burnt-out house” with members of her family dead or in prison, following a visit by the infamous British Essex Regiment, leaves no one in any doubt as to the brutal actions of the military during the War of Independence.
The kidnap and execution by the IRA of Mary Rawson, known as Mrs. Lindsay, following her betrayal of the planned Dripsey ambush, which resulted in the execution of five IRA men and the death from wounds of a sixth in February 1921, clearly declared that women were not immune to the ultimate penalty. This elderly woman’s long period of detention as a hostage and her eventual execution in the middle of March in Rylane, Co Cork was extensively documented by local historian Tim Sheehan in his book ‘Lady Hostage’ published in 1990. Around the same time, 45-year-old Bridget Noble (Neill) was executed as a spy by the IRA at Ardgroom in West Cork.
In ‘A Hard Local War’, William Sheehan references Nellie Carey’s and Essie Sheehan’s deaths for ‘going out’ with British soldiers and ex-soldiers.
In the course of her paper to the Irish Civil War National Conference in Cork in June 2022, Dr. Mary McAuliffe spoke of the violence inflicted on Bridget Carolan in Longford, Margaret’ Ciss” Doherty in Donegal, the Walsh sisters in Kerry and Margaret Doherty of Co Mayo by the National Army during 1922 and 1923. These were just a few of those women who suffered. The attack on Eileen Biggs in Dromineer, Co Tipperary, in June 1922 by anti-Treaty IRA men, who escaped justice, was one of the violent events reported in the media.
Diarmaid Ferriter’s recent publication on the Irish Civil War ‘Between Two Hells’, provides an account of some of the suffering of women during the period. He tells of Cork Cumann na mBan members Ellen Carroll who, as a result of her wartime activities, contracted TB in 1924 and young Johanna Cleary and Mary Carey who both died in 1924 as a result of an earlier Civil War hunger strike in Kilmainham Gaol.
He refers to the efforts of their families and Cork activist Nora O’Brien (Martin), who had been arrested and imprisoned several times after 1916, to submit applications for small pension gratuities, which often failed due to mean-spirited pension adjudicators. What is striking about this is the indifference and bureaucratic cruelty of the State pension adjudication system, usually manned by former male comrades. They regularly and coldly refused to award even paltry payments to many women who had endured deprivations, trauma and bad health arising directly from their wartime activities.
Women could only apply for the lower levels of pension payments, a grade D or E pension, the highest levels (A, B and C) were reserved for active men only. Hundreds of women across the country were refused pensions based on narrow criteria as to what constituted ‘active service’. This unfair treatment continued for many decades as the women aged and needed assistance.
Efforts to obtain pensions often resulted in women who had risked their lives and liberty being subject to bureaucratic ritual humiliation by those men in charge of decision making. Cork activist Siobhán Creedon Lankford applied for a pension on 28th December 1935 based on her service as an Intelligence Officer with the Cork No 1 and 2 Brigades.
On 13th November 1941 Siobhán was notified of the granting of a Rank E pension calculated at three and a half years service although she had been active from the age of 22 to 29. She immediately appealed and sought a Rank D pension, which was denied. Siobhan received just £17.10s per annum by way of pension. Her story is fully documented by Éamon and Máirín Lankford in Appendix 1 of the 2020 edition of The Hope and the Sadness. It makes for sad reading indeed and reflects poorly on the attitude of the Military Pensions Board towards the role of women in the war years.
Author Liz Gillis raises a fundamental point in her publication ‘Women of the Irish Revolution’ when she comments:
“Whereas the men were fighting for the Republic, the women while also fighting for that ideal, were additionally fighting for real change. They asked what exactly this Republic would mean for ordinary people, for the poorer parts of society”
In reality, many of the women revolutionaries were fighting for real social change, and one is forced to question the real motives and ideals of the now comfortable male leaders of the new Irish State. Did they really desire any real social change in light of their fierce hostility to many women activists who had fought alongside them?
Sinēad McCoole provides a list of some eighty-three women imprisoned after the 1916 Rising; at least twenty were from the socialist Irish Citizen Army, led by James Connolly, who were a very socially aware group. Ann Matthews lists twenty-eight members of the female auxiliary of the ICA “in action” in 1916 in her publication The Irish Citizen Army. In all, over 70 women were coming and going to the General Post Office (GPO) at some point during Easter Week, while at least 270 women were directly involved around Dublin in the Rising. These figures clearly demonstrate the high level of activity by women during the 1916 Rising.
No Ordinary Women also contains a further prisoner list of women held in Kilmainham Gaol, Mountjoy Jail and the North Dublin Union during and after the Civil War. The extensive records list five hundred and fifty names of Republican women interned and imprisoned during this period, many of whom were kept in terrible conditions. Many of the names and addresses of those women make for stark reading in that they remain largely unknown, although women had become increasingly visible in the Civil War. Almost forty of the incarcerated women on that list were from Cork; who were they? Do we know their life stories?
Incessant verbal and media attacks on women activists by the Free State leadership leading to the mass imprisonment, ill-treatment and detention for many months of Republican women commenced soon after the Civil War began. Hundreds of women from all over the country were arrested on a mass scale, something which even the British authorities were reluctant to attempt during the War of Independence.
Some spent time on hunger strikes during this period and endured beatings and punishment. Several died soon afterwards due to illness and medical conditions arising at very young ages. Later following their release back into their families and communities, these traumatised women were often dismissed and described as simply “suffering from their nerves’.
The use of much of this violence was not accidental or down to rogue individuals. It appeared to form part of a systematic State policy intended to smash the resistance of the women, yet no one has been held accountable for the harsh treatment they endured while in custody. Few efforts were made to bring the elements of either the National Army or the Anti-Treaty forces responsible for the violence against women to justice. The policy of impunity permitting freedom from sanction enjoyed by those responsible created a de facto official immunity for male participants on all sides. In the absence of a truth and reconciliation commission, the cruel treatment of some women remains a stain on the birth of the State.
Wars are cruel and savage affairs where the normal rules of interaction, consideration, dignity and respect among some participants are lost. Passionate political views on both sides of the Civil War divide, when transformed into violent action, unleashed the dogs of war. This sundered the once solidly united Cumann na mBan and resulted in former friends and comrades becoming bitter enemies in the early years of the new State. The war cast a long shadow.
As the six female TDs rejected the Treaty along with the leadership of Cumann na mBan and most of their activists, one has to question if this opposition triggered the savage State hostility to women activists in general from some of the Pro-Treaty/Free State leaders? Was it due to this hostility that during March 1922 in Dail debates, both Michael Collins and Arthur Griffith, indulging in political opportunism, opposed the enfranchisement of women over 21 in the new Free State? In spite of their opposition, the Irish Free State Constitution enacted in June 1922 provided that all Irish citizens over the age of 21 were entitled to vote.
As a result, Ireland developed into a mean-spirited place for many women in the subsequent decades as the ruling political and exclusively male establishment, closely aligned with members of the Catholic Church hierarchy, ignored and actively discriminated against women in employment, health and education.
The Republican women were eventually released yet the State assault on the rights of women intensified. Withdrawal of employment rights of women by Irish governments began immediately. By 1924, an effective ‘Marriage Bar’ was imposed on women working in the civil service, later extended to the public sector such as the Post office and even to private sector employers such as Guinness and Jacobs.
Under British rule a 1919 UK statute provided for most women to serve on juries, however by 1927, Minister for Justice Kevin O’ Higgins had excluded all women from “the horrors of criminal courts”. Under Eamon de Valera who came to power in 1932, divorce in Ireland was banned under the 1937 Irish Constitution, reflecting the socially conservative policies of the Catholic Church. Earlier in 1935, contraception was made illegal in Ireland.
Tens of thousands of women who broke the Church’s moral teaching were incarcerated in the Magdalen Laundries and in the Mother and Baby Homes. Thousands more emigrated quietly due to economic necessity and local social stigma, to Britain and the USA, and continued to do so until progressive women’s voices began to rise again in the 60s and 70s.
Many of those who stayed on in the new Ireland of the 1920s such as Kathleen Lynn, Helena Molony, Rosie Hackett, Charlotte Despard, Madeleine Ffrench-Mullen, Elizabeth O’Farrell, Hannah Sheehy Skeffington, Delia Larkin, Leslie Price, Winifred Carney (the last woman to leave the burning GPO!) and many others were in the forefront of the subsequent efforts over the decades to bring about a more equal, fairer and compassionate society.
Although women were regarded as non-combatants during the wars, it may come as a surprise that so many lost their lives, especially in Cork during the five-year war period. If the records of University College Cork’s “Cork Fatality Index”, which covers some of the period of the Decade of Centenaries are examined, one cannot but be horrified today at the general level of violence throughout Cork City and County. Of the eight hundred and twenty-seven who died in Cork from 1919 to 1923, twenty-five were women, including eleven who were killed during the Civil War.
Reading the accounts of their deaths, it is clear that the great majority were innocent victims of the fighting and general mayhem happening around them in Cork. The names of Albina Murphy aged 34, a member of the Irish Union of Distributive Workers, Madge Daly aged 24, Mollie Egan aged 24 shot in the neck; Kate Crowley; Lillie Gallagher, aged 8, killed by a bomb, May Hall, nineteen-year-old Josephine Scannell killed by a stray bullet while sewing and sitting by her window on Frenches Quay are probably unknown to most people.
The girls and women and others who died may be remembered only by their families today, yet they were the horrific casualties of the violent birth of our country and should not be forgotten. Their deaths should continue to remind everyone of the enormous price paid by many ordinary people during war.
To quote Cork woman Mary Elmes, speaking about World War Two on the cost of warfare:
“War is a terrible thing, which is never won. It’s always lost. Everybody loses.”
Sources and Reading.
Diarmuid Ferriter, Between Two Hells, The Irish Civil War (Profile Books 2022) Kathleen Clarke, Revolutionary Woman 1878-1972, An Autobiography (The O’Brien Press Ltd 1991) Cuimhneachán 1916-1966 Commemoration Booklet. Tim Sheehan, Lady Hostage Mrs. Lindsay (Cork 1990) Sinēad McCoole, No Ordinary Women (The O’Brien Press Ltd 2015) Liz Gillis, Women Of The Irish Revolution (The Mercier Press 2014) Shandon Area History Group, Ordinary Women In Extraordinary Times (2019) Louise Ryan, Drunken Tans: Representations of Sex and Violence in the Anglo- Irish War (1919-21). Feminist Review 2000. Dr Mary McAuliffe, ‘Violence and indiscipline? The treatment of ‘die-hard’ anti- treaty women by the National Army 1922-23. Irish Civil War National Conference. Ann Matthews, ‘The Irish Citizen Army’ (The Mercier Press 2014) Kathleen Keyes McDonnell, ‘There is a Bridge at Bandon’ (The Mercier Press 1972) Tom Barry, ‘Guerrilla Days in Ireland’ (The Irish Press 1949) William Sheehan, ‘A Hard Local War’ (The History Press 2011) Paddy Butler, ‘The extraordinary story of Mary Elmes, the Irish Oscar Schindler’ (Open Press 2017) Linda Connolly, Understanding violence against women in the Irish Revolution – a global context. RTE. Cork Fatality Index, University College Cork. Siobhán Lankford. The Hope and the Sadness (Celum Publishing of Cork 2020). First published by Tower Books 1980. Margaret Ó hÓgartaigh, Kathleen Lynn Irishwoman, Patriot, Doctor (Irish Academic Press 2011).
Antoinette Keegan will be formally presented by the Cork Mother Jones Committee with the 2020 Spirit of Mother Jones Award on Friday 29th July at 3pm at the Dance Cork Firkin Crane theatre.
Antoinette and her late parents Christine and John along with other families and survivors have campaigned for justice and answers as to why 48 young people including Antoinette’s sisters Mary (19) and Martina (16),lost their lives at the Stardust Fire in the northside of Dublin on Valentine’s Day 14th February 1981. Over 200 people were treated in hospital for injuries sustained in the fire.
In spite of her own injuries, the loss of two of her sisters and the failure of the State Authorities to provide answers, Antoinette has campaigned to uncover the full truth of the events of that night. What caused this fire and who was responsible?
Her resilience and commitment to pursuing justice for the 48 children who never came home to their families remains an inspiration to many people.
In 2019, the Attorney General approved the holding of new inquests to establish the full facts. After 41 years of the campaign for justice, the inquests should finally begin this year.
We wish to express our thanks to Antoinette and members of her family for coming to Cork and speaking about the long standing efforts of the survivors to seek the facts.
All are welcome to the presentation and discussion.
A documentary “Endurance & Engagement: Cork City Women in the 1920’s” will be shown at the Dance Cork Firkin Crane on Thursday 28th July at 7.15pm.
The short documentary, commissioned by Cork City Council, as part of the Decade of Commemorations and funded by the Department of Tourism, Culture, Arts Gaeltacht, Sport & Media looks at the lives of ordinary women in Cork City during the turbulent period of the struggle for independence and how they were impacted by the violence and unrest.
The women included in the documentary are Eilish MacCurtain, The Duggan Sisters, Geraldine Neeson and Dr Mary Hearn.
The research team on the project were Anne Twomey of Shandon History Group, Dr Helene O’Keeffe of UCC School of History, and Gerry White. The documentary directors Ciara Buckley & David Slowo of Wombat Media. The Executive Producer of this documentary was Christine Moloney of LW Management who will introduce it on the night.
We wish to record our thanks to Cork City Council and St. Peters Cork for making a screening available at the Spirit of Mother Jones Festival.
Christine Moloney will introduce the documentary and there will be a brief Q&A. afterwards.
It will be followed at 8:00 pm by a talk by historian Anne Twomey.
On Thursday 28th July at 4pm, the unusual story of Tom Hickey, the Dubliner and friend of Mother Jones who tried to convert Texas to socialism, will be told by Professor Peter Buckingham at the Maldron Hotel Shandon. All are welcome.
Tom Hickey came to the United States from Ireland in 1892, became a machinist, and soon joined the Knights of Labor and the Socialist Labor Party. His party boss, Daniel De Leon, recognized the potential in this Irishman and even made him an “enforcer” against those who questioned the boss’s authority. The enforcer, though, eventually found himself forced out and moved west to start a new life. Ultimately, Hickey landed in Texas and saw an opportunity to use syndicalism as an organizing tool to build a state socialist party.
He did just that. Within a few years, Hickey transformed the faction-ridden Socialist Party of America in Texas into a force strong enough to threaten the Republican Party at the ballot box. He gained a large following thanks to a unique mixture of evangelical rhetoric and militant industrial unionism. He enlisted the help of many party comrades, including Mother Jones.
Biographer Peter H. Buckingham points out that Hickey failed to deliver his people into the Promised Land. Violence, poll taxes, voter suppression, and other forces made voting for socialist candidates problematic; the Democratic Party soon co-opted the more appealing elements of socialism into watered-down, reformist planks for the Texan voter. By the time Hickey died of throat cancer in the mid-1920s, his moment in the spotlight had passed.
“Red Tom” Hickey is an important contribution to Irish, Texas and American history, capturing a time that Buckingham argues was the second sustained crisis in American history: a democratic society wrestling with the effects of industrial capitalism.
After presenting an overview of the life and times of Thomas Aloysius Joseph Hickey, Buckingham will examine the special bond that developed between Mother Jones and Red Tom. When no one else would dare to cross Party Secretary, Mahlon Barnes, she revealed his sexism and greed as only Mother could, thereby saving Hickey from scandal and expulsion.
ABOUT THE AUTHOR
PETER H. BUCKINGHAM is Professor of History Emeritus at Linfield University in McMinnville, Oregon, USA, and the author of several books, including Rebel against Injustice: The Life of Frank P. O’Hare and America Sees Red: Anti-Communism in America, 1870s to 1980s. He resides in McMinnville.
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University of North Texas Libraries, The Portal to Texas History, https://texashistory.unt.edu; crediting UT San Antonio Libraries Special Collections.
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